Nick Redmayne
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Rocket travel, elsewhere the preserve of ostentatious oligarchs, is really the only way to arrive in Old Dhaka.
However, in Bangladesh, to bag a seat at the sharp end of a 100-year-old paddle steamer it’s not prerequisite to first steal the birthright of the proletariat, and at less than £5 for the 24-hour journey from Mongla to Dhaka, going sub-orbital with Richard Branson seem distinctly overpriced.
After the kind of sleep that only a First Class cabin provides, an unforgiving nudge combined with the earnest thrashing of paddles acts as an early morning wake-up call.
Sadar Ghat’s wall of throbbing, grating sounds, scenes of frenzied activity and overwhelming miasma of corrupt odours greet travellers like the collective belches of uninvited guests who failed to make it home after the mother of all house parties.
From the rocket’s berth an uneasy clambering across the steel decks of other vessels, linked tenuously by wobbly wooden planks, leads to the shore. Stepping carefully, I really don’t want to fall in, and doubt anyone would want to pull me out, not even one of the many privateer boatmen plying the Buriganga River. Once ashore, I pass scores of Bangladesh’s headliners, those perpetually unstable and unfortunate passenger ferries, the ones that have beaten the odds, lying tied up, strangely passive after disgorging their still warm cargo of humanity.
Taking a substantial wooden gangplank to street level I’m coughed up amid a mob of three-wheeler CNGs, baby taxis, bicycle rickshaws, trucks and buses. It’s early in the day and already they’re mostly nose to tail, going nowhere with a vengeance.
‘Hey! Look out your money. Look out your money.’ From across the road a man in an orange shirt catches my gaze and points to his eye. I look around to see a group of boys suddenly veer off in the same direction. I nod to my unknown guardian and he wiggles his head in the Bengali way.
Staying close to the Buriganga, avoiding the street furniture of immense long abandoned engine blocks, even the fragrant organic odour of the water is thankfully soon overtaken by that of fresh fruit. Precipitously piled Tata and Ashok Leyland trucks give little quarter in manoeuvring for position, their engines snort angrily as metal grinds on metal past unwisely parked vehicles - ‘Tik asay, Tik asay, Tik, Tik.’ (OK, OK etc…) - no one is exchanging insurance details.
Cargoes of mangos, grapes, oranges and apples hailing from China, Egypt, India and beyond are carried aloft by sinuous stevedores, adjusting their cushioning headgear between loads.
‘What’s your country?’ I stop to answer this most frequently asked question and for once am not immediately surrounded by sixty-plus idly inquisitive souls – everyone is too busy. Eager kamikaze rickshaw wallahs balance yet more produce on their ill-suited steeds before standing high on the pedals and inveigling their way through the jostling traffic.
Among all of this, restaurant boys bash out breakfast paratas, skilfully braving scorchingly hot tandoors, tobacco sellers proffer single cigarettes and peripatetic tea wallahs hawk an already strong brew thickly reinforced by sweetened condensed milk and served in espresso-sized cups and saucers.
It’s apparent that to tour Old Dhaka is to be led by the nose, and as if to emphasise the point, fish is the next olfactory highlight at Swarighat’s wholesale market. As with many things in Bangladesh, there’s no apparent industrial process here, just hundreds of fishermen, a plethora of small boats and fish from all over Bangladesh. Freshly flapping pink snapper, Indian salmon, grouper and croaker exclusively occupy a muddy square close by the water, their number only slightly exceeding those attempting to buy and sell. Forget gentrified Mediterranean photo opportunity, think WW1 battlefield with fish and you’re almost there.
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